Did meteor hit last night. Code: 1 Raphael Mostel - Beatles Sweet: Here, There and Everywhere 2 Raphael Mostel - Beatles Sweet: Blackbird 3 Raphael Mostel - Beatles Sweet: Hide and Seek in Norwegian Wood 4 Raphael Mostel - Beatles Sweet: Here Comes Lucy 5 Haruna Miyake - Yesterday 6 Alvin Curran - When I'm 64 7 Kentaro Haneda - Something 8 John Cage - Beatles 1962-1970, for six taped channels of piano 9 Barbara Monk-Feldman - Michelle 10 Yoriaki Matsudaira - And I Love. (And I Love Her) 11 Carl Stone - She Said, She Said 12 Akira Inoue - The Fool on the Hill: Version 1 13 Akira Inoue - The Fool on the Hill: Version 2 14 Peter Garland - Goddess of Liberty (You've got to hide your love away) 15 Frederic Rzewski - Short Fantasy on Give Peace a Chance Volume 2. Code: 1 Guy Klucevsek - Monk's Intermezzo (I Want You) 2 Jaroslaw Kapuscinski - I Want You (She's So Heavy) 3 Kevin Volans - Happiness Is A Warm Gun 4 Akemi Naito - Across the Universe 5 Christian Wolff - Eight Days A Week Variation 6 Akira Nishimura - Because 7 John King - Rain 'n' Revolution (Rain & Revolution) 8 Bunita Marcus - Julia 9 Joji Yuasa - Subliminal Hey J (Hey Jude) 10 Michael Finnissy - Two Of Us 11 Shigeki Saegusa - Norwegian Wood 12 Lois V Vierk - Yeah, Yeah, Yeah (She Loves You) Volume 4 'Let It Be'.
Quote It's the most horrible time of the year! A Very Scary Solstice finally merges the wonderful tradition of merry holiday carolling with the cosmic horror of the Cthulhu Mythos. The result is a CD and sing-along songbook that features twenty five holiday favorites infused with a liberal dose of madness, horror and otherworldly blasphemies. The CD features a cast of professional singers with each number beautifully arranged and fully orchestrated.
Styles range from the classical to contemporary to nostaligic and just plain weird. Quote We wish you a scary solstice! An Even Scarier Solstice is a sequel to our strangely popular A Very Scary Solstice. This year we've assembled better musicians, more singers, and 21 new songs of holiday horror. The CD features a cast of more than 30 professional singers with each number beautifully arranged and fully orchestrated by Troy Sterling Nies (composer for the HPLHS film The Call of Cthulhu). Styles range from rockabilly to middle-eastern to grandly gothic and just plain weird.
We've even set Lovecraft's poem, 'A Brumalian Wish' to music to create (we think) the world's first original Lovecraftian Christmas carol. Auerbach and Carney never should've stopped recording in their basements/abandoned factories. Rubber Factory was brilliant. They haven't done anything half as good since. El Camino is better than their previous one at least. I've been loving this album here lately. Probably because i'm such an utter failure romantically.
'Another Sunny Day was a project for the former The Field Mice, The Hit Parade, Blueboy and now occasional Trembling Blue Stars member, Harvey Williams. The multi-instrumentalist Williams released a series of singles through Sarah Records and these were collected on the album London Weekend. Twenty years on, Another Sunny Day seem to epitomise the Sarah sound: a vulnerable, poignant puree of teenage angst and 60s-tinged melodies, reminiscent of The Pastels or Television Personalities.'
Raw Music International: Kisumu, Kenya Compilation of underground music recorded in Kenya. Ranging from ancient traditional sounds to reggae to modern hip-hop, the comp focuses on new, innovative, or overlooked music. We get a lot of cutting edge and exciting music from the west on this board, so check out what our peers are up to around the world. Recorded for the new TV show Raw Music International-featuring overlooked music scenes in foreign countries on each episode. For more info check out. (Heads up, the album is 'name your own price' aka free for this week as a promotion, but after a week it will be $3 to help support the artists involved.
Check it and spread the word!). Quote from: p4k On his eponymous debut, Mikal Cronin proves he can hold his own. It's an album of wistful, psychedelic pop that pits lush and layered arrangements against needle-pinning power chords.
Like Segall's latest, Goodbye Bread, Cronin's solo turn finds him dialing back his thrashier impulses in order to clear space for singer-songwriter-style introspection. But when the curtain of lysergic gristle is pulled aside, it turns out that they're not the same person, after all. Even when he goes all Neil Young, Segall still retains an affable beach-dude demeanor. Cronin turns out to be the more vulnerable voice- Elliott Smith in throwback dress, minus the self-loathing.
And, like Smith, he has an ear for arrangements. Quote from: Resident Advisor This is minutely stratified music. It might be lo-fi, but it's not the kind that obscures; Stott's rough textures merely blur the lines between the elements. This dynamic turns a fairly straightforward techno thumper like 'Bad Wires' into a heaving mass of gravelly shakers and dust-eaten drums, and the otherwise funky 'Cherry Eye' into a swirling watercolour punctured by an unforgiving kickdrum. We get a glimmer of hope with the title track, based around a mercilessly phased sample, but it's unceremoniously stomped out by the hellish closer 'Cracked.'
I've spent a lot of time this year complaining about the complacency of dub techno, pondering its inevitable death as a viable genre. But maybe these burning doldrums are a good place to be, because the trickery that Andy Stott is performing on the genre's corpse is as morbidly exciting as the foreboding beats he carves out of prehistoric stone. Meanwhile, here is another performer playing several of the pieces from that set (including some from the disk not uploaded yet), plus a couple of other transcriptions by her brother, and an unrelated piece written for the pianist. But the disk starts with Paul McCartney's second serious essay in a classical music form (after the Liverpool Oratorio), which is a piano piece called 'A Leaf'. This has become better known in a later orchestral version, but here it is as originally written.
A Leaf (Chitose Okashiro). Quote Rules: The first rule of this thread is you do not mention MF. I am doing this because we are currently the first hit for the full version of 'MF thread' on Google, so y'know, that's bad n' shit.
The second rule is don't talk about the MF thread. No hot-linking images or albums.
You can re-host images. Ensure your tags are correct and that you have specified both Artist/Album in your post. Upload your files in either a.zip or a.rar archive to MF, in multiple parts if the album is over 200mb. The reason for this is that we know MF is safe and efficient and allows multiple downloads.
The ads on other sites, such as Sendspace, are known to contain viruses on the page. Get yourself checked out. Post your link using code tags. It's the # icon above the policeman emoticon. This prevents the links from being traced back to the forums, lowering the chance that the wrong people notice the thread, potentially threatening Jeph with legal action. Also, please do NOT request albums. This includes requests for re-uploads; if you miss it, try looking for it somewhere else.
Andy Stott We Stay Together Rar
Repost the rules at the top of each new page. Quote from: Drowned in Sound Miami graphic designer Scott Hansen returns from a very, very long hiatus to release his second LP of shimmering electronica. Is there any way to describe the music of Tycho other than ‘shimmering’? Not really.The Tycho sound is one of pink sunsets, shuffling hipsters and old video hardware - basically Boards of Canada washed up on the shores of San Francisco.
It’s also irresistibly good, which might explain why Hansen hasn’t dared mess with the formula that won him so many accolades back in 2004. Quote from: Drowned in Sound Miami graphic designer Scott Hansen returns from a very, very long hiatus to release his second LP of shimmering electronica. Is there any way to describe the music of Tycho other than ‘shimmering’? Not really.The Tycho sound is one of pink sunsets, shuffling hipsters and old video hardware - basically Boards of Canada washed up on the shores of San Francisco. It’s also irresistibly good, which might explain why Hansen hasn’t dared mess with the formula that won him so many accolades back in 2004.
Tracklist A1 Submission 4:50 A2 Posers 5:07 B Bad Wires 7:21 C We Stay Together (Part One) 6:36 D1 Cherry Eye 7:32 D2 Cracked 5:36 Companies, etc. Mastered At – Dubplates & Mastering Credits. Mastered By – LooP-O. Photography By – Frederick Simpich Sr. Notes Track durations not stated on the release.
Boomkat Product Review: Andy Stott enters a compelling new phase of evolution on 'Passed Me By'. Besides marking his most substantial output since debut album 'Merciless', these seven tracks signify a renewed, yet introverted vitality to his sound, inverting the energy of his hardcore excursions into something more brooding and subtly visceral. They're strident and sensual yet stoically retentive, folding in a wider palette of influences from Kassem Mosse to Arthur Russell, to Actress and James Ferraro, but ironically sounding more like himself than ever. Stepping into this abyssal sound on ' New Ground' we're dominated by bone crushing bass weight, pinned under relentless waves of subbass whilst shards of hypnagogic exhalations struggle for air in his autoerotic pressure system. That slow, vice-turning intensity is breathlessly transferred to the aquatic jack of ' North To South', before the gasping Linndrum and boogie licks of ' Intermittent' offer some resolution. Their pent up tension is released in ' Dark Details' before the screwed zombie swagger of ' Execution' and that staggering title track slowly shut down your system with shark-eyed intent. A modern classic, no less.
Boomkat Product Review: Andy Stott enters a compelling new phase of evolution on 'Passed Me By'. Besides marking his most substantial output since debut album 'Merciless', these seven tracks signify a renewed, yet introverted vitality to his sound, inverting the energy of his hardcore excursions into something more brooding and subtly visceral.
They're strident and sensual yet stoically retentive, folding in a wider palette of influences from Kassem Mosse to Arthur Russell, to Actress and James Ferraro, but ironically sounding more like himself than ever. Stepping into this abyssal sound on ' New Ground' we're dominated by bone crushing bass weight, pinned under relentless waves of subbass whilst shards of hypnagogic exhalations struggle for air in his autoerotic pressure system. That slow, vice-turning intensity is breathlessly transferred to the aquatic jack of ' North To South', before the gasping Linndrum and boogie licks of ' Intermittent' offer some resolution.
Their pent up tension is released in ' Dark Details' before the screwed zombie swagger of ' Execution' and that staggering title track slowly shut down your system with shark-eyed intent. A modern classic, no less. Boomkat Product Review: Andy Stott enters a compelling new phase of evolution on 'Passed Me By'. Besides marking his most substantial output since debut album 'Merciless', these seven tracks signify a renewed, yet introverted vitality to his sound, inverting the energy of his hardcore excursions into something more brooding and subtly visceral. They're strident and sensual yet stoically retentive, folding in a wider palette of influences from Kassem Mosse to Arthur Russell, to Actress and James Ferraro, but ironically sounding more like himself than ever.
Stepping into this abyssal sound on ' New Ground' we're dominated by bone crushing bass weight, pinned under relentless waves of subbass whilst shards of hypnagogic exhalations struggle for air in his autoerotic pressure system. That slow, vice-turning intensity is breathlessly transferred to the aquatic jack of ' North To South', before the gasping Linndrum and boogie licks of ' Intermittent' offer some resolution. Their pent up tension is released in ' Dark Details' before the screwed zombie swagger of ' Execution' and that staggering title track slowly shut down your system with shark-eyed intent.
A modern classic, no less. Boomkat Product Review: Andy Stott enters a compelling new phase of evolution on 'Passed Me By'. Besides marking his most substantial output since debut album 'Merciless', these seven tracks signify a renewed, yet introverted vitality to his sound, inverting the energy of his hardcore excursions into something more brooding and subtly visceral. They're strident and sensual yet stoically retentive, folding in a wider palette of influences from Kassem Mosse to Arthur Russell, to Actress and James Ferraro, but ironically sounding more like himself than ever.
Stepping into this abyssal sound on ' New Ground' we're dominated by bone crushing bass weight, pinned under relentless waves of subbass whilst shards of hypnagogic exhalations struggle for air in his autoerotic pressure system. That slow, vice-turning intensity is breathlessly transferred to the aquatic jack of ' North To South', before the gasping Linndrum and boogie licks of ' Intermittent' offer some resolution. Their pent up tension is released in ' Dark Details' before the screwed zombie swagger of ' Execution' and that staggering title track slowly shut down your system with shark-eyed intent. A modern classic, no less. Payment Security We take the security of our website and of your transactions extremely seriously.
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Andy Stott We Stay Together
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Andy Stott Passed Me By We Stay Together Rar
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Stock arrives at the office throughout the day so the stock status of items on the website can change several times a day. Important Note: all items that are not currently displaying as In Stock need to be ordered in from our suppliers and the estimated shipping dates are only an indication of when we expect those items to come into stock. If there are any unforeseen issues with availability we will notify you immediately.